Me ha parecido muy sugerente este trabajo de @NereaLopez8 que refleja muy bien con “salvando al gato” lo que está ocurriendo entre los alumn@s.
Estamos ya en el meridiano del Máster Redes Sociales y Aprendizaje Digital de la UNED , Principios de la comunicación digital, donde hemos organizado una secuencia didáctica que pivota en seis encuentros virtuales, que utilizan diferentes redes sociales.
Hemos analizado y debatido algunos episodios líquidos de la comunicación digital ( ubicuidad, intertextualidad, inmersión, interacción, hipertextualidad, identidad y prestigio social, etc) a través de múltiples ejemplos en la ficción y el entretenimiento
Hemos visto en tono paródico como se ha producido la revolución de los medios , que nos ha abierto una potente posibilidad de análisis.
Desde la técnica de análisis DAFO, Begoña explica como esta metodología muy utilizada en el ámbito comercial y empresarial, también puede convertirse en una estrategia de análisis aplicada a la comunicación digital, tal y como señala Elena, cuando comenta “esta ha sido la primera vez que he elaborado un DAFO, dándome cuenta de la importancia de su realización, no sólo a nivel de estrategia empresarial, sino para cualquier proyecto en el que nos queramos embarcar, un blog, una web, incluso en la creación de un perfil en cualquier red social.” O cuando, Juanjo la aplica al ámbito escolar, en concreto a una función de teatro. Podéis ver otros ejemplos de alumn@s en o el caso de Alex.
Tras este episodio, el próximo jueves abriremos este jueves un debate en twitter sobre las luces y sombras que existen en las redes sociales. Para ello observaremos una experiencia con los estudiantes de periodismo de la universidad de Zargoza, en torno a lo intergeneracional
y la narrativas digitales, que nos posibilitó, no sólo establecer contacto con la experiencia de muchos blogueros de la tercera edad, sino también con los propios abuelos y abuelas de los jóvenes.
Por tanto, seguimos con una dinámica activa y horizontal, después del último chat, y tras una asociación abierta de ideas, hemos decidido que #invasión #interacción #contaminación #colaboración serán los hasthag que nos servirán de análisis para la próxima conversación en twitter, donde las redes sociales se convertirán en entorno comunicativo, construcción de significados y objeto de estudio.
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Gal Monteiro disse:Colei meu antes, no lugar errado. Aed vai de novo:Querido Davy erduiqo mesmo!Ne3o he1 o que corrigir ou acrescentar, a ne3o ser ratificar seu relato, que nem mesmo a emoe7e3o o fez menor em relae7e3o e0 objetividade e realidade. Quero apenas refore7ar a importe2ncia do que vc, com muita propriedade, chamou de momento histf3rico. Senti assim mesmo: os Pontos de Cultura do Brasil, sem nem sombra de patrocednio, fazendo histf3ria, fazendo acontecer! E esse, me parece, e9 o principal ensinamento da unidade, resultado do foco na grandiosidade do movimento, na generosidade de quem, em vez de reclamar da adversidade dos hore1rios, das filas para as refeie7f5es ou das falhas de um ou outro companheiro, no processo de recepe7e3o, concentrou o olhar na histf3ria e objetivos do movimento e dos companheiros de jornada. Creio nesse die1logo, Davy. Como vc disse, a tense3o vem sendo quebrada com o esfore7o de ae7f5es como essa; por meio da franqueza de olhar nos olhos, uns dos outros, colocando as questf5es de forma clara, firme, generosa e guerreira; pela disposie7e3o ao sacrifedcio de uns, pelo bem coletivo, esperando que o que e9 sacrifedcio de uma parte, se transforme em festa para todos nf3s. Algo assim: sabemos que o MinC pode e deve muito mais, mas nf3s, os representantes dos Pontos, ne3o fomos para le1 de armas em punho, para arrancar o impossedvel nesse momento em que a correlae7e3o de fore7as este1 evoluindo em favor dos Pontos desse nosso Brasil lindo e maltratado, por muitas vezes. Fomos para fazer o que parece impossedvel se tornar absolutamente prove1vel, palpe1vel, tangedvel, ne3o gratuitamente, mas pela legitimidade dessas demandas, como resultado das lutas de todos os segmentos dessa enorme populae7e3o que assina e movimenta a cultura brasileira.Foi lindo mesmo, Davy e quero dizer ao Fe1bio e a todos os companheiros que ne3o puderam estar em Brasedlia, que sentimos sua falta sim, principalmente daqueles que, sabedamos, sf3 ne3o estavam por absoluta impossibilidade, como e9 seu caso, Fe1bio. Ne3o foi fe1cil estar le1 e, sinceramente, olhando aquele horizonte amplo que BSB oferece e que no dia 25 foi modificado pela presene7a de nuvens pesadas, conferindo certa dramaticidade ao cene1rio pensei no pessoal do meu Ponto, a quem eu estava representando, nos outros Pontos do meu estado. Imaginei como seriam nossos folguedos tingindo de cores vivas aquelas avenidas largas e quebrando a sisudez dos segurane7as e assessores do Congresso (que, diga-se de passagem, acabaram capitulando e0 alegria esponte2nea e destemor dos ponteiros que tomaram a casa de assalto). Silenciosamente, durante a Marcha – que procurei registrar em detalhes, dentro das possibilidades do meu equipamento modesto e conhecimento insipiente sobre a arte de fotografar, diante da sua expertise no assunto – dediquei aqueles momentos a esses arteiros, fazedores culturais animados com toda e qualquer possibilidade de se expressarem. Agradeci e0 vida por pertencer a esse universo, ao meu Ponto Encantando a Vida / Ponte3o No Tom da Cidadania, ne3o conveniado como eu disse na audieancia com a Marta mas nem por isso menos atuante e legedtimo.Como tantos outros, foi assim que pude ir e0 Brasedlia: passagem bancada pelo Ponto, hospedagem na casa de duas amigas, para ne3o ocupar os lugares que o pessoal de Brasedlia e a CNPdC conseguiram, alimentae7e3o nessas casas e no bandeje3o de R$ 1,00 que nos fez remeter aos tempos da Universidade (d4 saudade!).O mais importante de tudo, como fato simbf3lico: os tambores das Guerreiras da Daraedna se fizeram ouvir, mesmo, a priori, proibidos de entrar no Plene1rio 12 da Ce2mara! E a gente cantou a ciranda. Estamos vivedssimos, mais que nunca!Abrae7o forte e sincero, Davy e demais companheiros, presentes ou ausentes da Marcha.Gal Monteiro
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